Sections 1 to 5

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1 - 5: Getting Started

1 - Why This Book?

2 - What's a Way-of-working?

3 - Way-of-working: So What?

4 - Travel Guide For This Book

5 - Is This a Digital Photography Book?

Sections 6 to 21

You & Photography

6 - Not Been a Student for Awhile?

7 - A New Identity

8 - Magic Pills

9 - Little Magic pills

10 - Harder & Harder

11 - Hierarchy of Dissatisfaction

12 - Do Think More

13 - Don't Think So Much

14 - The Above Two PATHways

15 - Mistakes

16 - Mistake Analysis

17 - Down Time = Objectivity & Insight

18 - Dashed Expectations

19 - Credit

20 - Sole Authorship?

21 - Different Audiences

Sections 22 to 24

The Photograph & You

22 - What's a Good Photograph?

23 - How Often Do Good Photographs Occur?

8 More Reasons for Good Photographs >

24.0 - Introduction

24.1 - Good Subject = Good Photograph?

24.2 - Equipment

24.3 - Technique

24.4 - Form

24.5 - Knowledge of Subject

24.6 - Knowledge of Self

24.7 - Surprise

24.8 - Light

Section 25

The Photograph & You (Cont.)

Top 16 Reasons For Bad Photographs >

25.0 - Introduction

25.1 - I Don't Have Enough Time

25.2 - Waiting for the Muse

25.3 - No Camera

25.4 - Buried Camera

25.5 - Pictures of Trips & Family Only

25.6 - Jumping from One-Thing-to-Another

25.7 - Not Doing a Larger Project

25.8 - Paying Attention to the Subject Only

25.9 - Part 1

25.10 - Part 2

25.11 - Using Program All the Time

Your Viewfinder Lies >

25.12 - Part 1

25.13 - Part 2

25.14 - Bad Prints

25.15 - Photographs that Got Away

25.16 - Lack of Sensitivity to Light

Sections 26 to 32

The Photograph & You (Cont.)

26 - More about Light

27 - Snow Analogy

Sensitivity to Light >

28.0 - Introduction

28.1 - Take a Picture Out Your Window

28.2 - Take a Picture of a Newspaper

28.3 - Play with Light

28.4 - Watch an Old B&W Film

28.5 - WYSINWYG

29 - More about Surprise

30 - Gesture

31 - A Place for Your Project

32 - Display Your Work

Sections 33 to 37

Classic Themes in Photography

33 - What's Art?

34 - Is Photography Art?

35 - Photographing Reality?

36 - Taking v. Making Photographs

37 - Purity

Sections 38 to 43

Back to You

Why Do Photography? >

38 - Introduction

38.1 - Structure

38.2 - Rewards

38.3 - Example #1

38.4 - Example #2

39 - Write an Artist Statement

40 - Reasons for Good Photography

Woody Allen &

the Six P's >

41 - Introduction

41.1 - Passion

41.2 - Pliny

41.3 - Practice

41.4 - Persistence

41.5 - Patience

41.6 - Presentation

42 - Satan v. Venus

43 - Presentation

Sections 44 to 48

Back to You (Cont.)

Fame, Guru-hood, Sales of Prints >

44 - Introduction

44.1 - Age

44.2 - Education

44.3 - Size & Quantity

44.4 - Effort

44.5 - Risk

44.6 - Time & Money

44.7 - Good Creation Story

44.8 - Innovate

44.9 - Bodies of Work

44.10 - Be Popular

44.11 - Be an Artist

44.12 - Ego

45 - Bulls--t Happens

46 - It-Why You're a Photographer

47 - More Resources

48 - Most Importantly ...